Tag Archive for 'volley'

Losing because the team was not relaxed

A few days during the finals of the European volleyball championships, Italian coach Ferdinando De Giorgi during a timeout uttered a word that has been rarely heard in sports in recent years. The term is relaxed, he wanted the players to be calmer, less rushed and inaccurate.

Personally, I am very attached to this which is not just a word but expresses a concept and I would say a way of life. I learned relaxation techniques when I was 21 years old and have never abandoned this approach that accompanies me in my daily life. I have studied for years the importance of the balance between incitement and calm in work and leisure, in training and competition.

Our society has evolved toward an aggressive performance pattern, one must always push, play on the attack, dare, happily experience stresses. This is the phase of incitement and responds to the philosophy that stress is a privilege but are we sure that the other pole of the issue, calmness, is also given the same attention? From my experience I have come to the conclusion that calmness is most often interpreted only as a condition to be pursued because one cannot only and always squeeze like a lemon otherwise the body will break down. So calmness is seen not as the other pole of the human condition but as an expression of a limit to which one must submit.

For these reasons, a coach who during a European final that his team is losing says: relax, belongs to another planet. One in which relaxed and calm are positive and indispensable skills and not limits to which one must be subjected.

Davide Mazzanti’s ideas and mistakes

The theme of excluding the best player by explicit choice of the national team’s coach is a recurring topic in various teams, often with similar explanations.

The latest case refers to the women’s volleyball national team, where the coach preferred a young 20-year-old player with limited international experience over the champion Paola Egonu. The explanation given in interviews by Davide Mazzanti is clear: “Inside, everything is clearer, I don’t make my choices for convenience but based on my principles.”

It would have been interesting if he had explained what is clearer inside the team compared to someone who can only gather information by watching the games. I would say that the second part of the sentence is a typical expression of someone who feels attacked and rigidly defends their ideas. So, following his ideas means excluding the player considered to be the best in the world, while making her a starter would be seen as a convenience-based choice.

We can also say that from his words, there are apparent issues of leadership and interpersonal dynamics within the team, including the coach, driven by the presence of this player, which outweigh the benefits derived from her sporting value. According to the coach, a young player like Andropova, grateful for the unexpected role offered to her, fosters better team cohesion.

This style of leadership should not be surprising; team sports are filled with stories like this. Spalletti with Totti, Sacchi with Baggio, Valcareggi with the relay between Mazzola and Rivera. So, it’s not my intention to debate whether these choices are right or wrong, nor to express value judgments. In this high-level sport, there is one ultimate parameter we all are judged by: victory. The women’s national team has lost, so some choices were wrong and need to be pragmatically corrected. The role of the player Egonu should be interpreted according to this logic, aware that there have also been other limitations that emerged in the last two games.

Personally, I believe that in the national team, the players who have proven to be the strongest and are accustomed to winning in their clubs should be given the opportunity to play because this type of experience is extremely relevant for handling the crucial moments of the games and paying attention to the details that prevent errors in high-stress phases of competition. Building cohesion on the field and alignment with the coach’s ideas follows from this foundation.

Play the game in the right way

“Obsessing about winning is a loser’s game.

The most we can hope for is to create the best possible conditions for success, then let go o/t outcome.

What matters most is playing the game the right way and having the courage to grow,as human beings as well as players.”

Phil Jackson

Review book: The movement for the children

Attività Motoria-Cognitiva nella Scuola Primaria

Carmelo Pittera

2014, p. 127

Euro Centro Studi “Gabbiano d’Argento”

I knew Carmelo Pittera more than 30 years ago, I was very young and he had already reached the 2° place in the Volley World Champioship as a coach of the Italian team. In the following years we became experts in the children movement working on his insight. Carmelo has continued to work in this direction and he is published a new program for children called SELL. In these years he started to apply this model in the North of Italy (Gorizia), in Slovenia and in Argentina.  I believe that it’s a new approach well based from the theoratical side, it’s innovative and every teacher in school can easily use. I will come back on this project in the next future but for the moment I want to introduce to you, helping you share my same enthusiasm.

What it follow is the presentation by Carmelo Pittera.

My interest toward Minivolley begins at the end of the ’70, when I met the person that we can define as the inventor of Minivolley, Professor Horst Baacke, who introduced in Eastern Germany an early form of volleyball for groups of children aged ten to twelve years.

From a cultural and educational perspective, I was skeptical about the various aspects of early specialization in sports games, mainly because of the definition of Minisport. I was convinced, however, that in children from eight to ten yearsold , the physical education should be considered an asset to the service of the integral development of the children It is really important that the education at the movement help them to a global growth.
Thus it was born the first draft of “Motor Sillabarius”, which represented  the starting point of the SELL system (Signal, Reading, Execution, Lateralization). At the Motor Syllabarius was followed by the publication of “The alphabet of movement,” which picked up the results obtained in research on  ”analogic- expressive phase” of the movement education. Published in four volumes, the pedagogical section was written by experts in primary education and psychologists.

The SELL is an educational system that has the purpose of teaching, structuring and implementation of neural circuits that affect, starting from the motor area, the cognitive dimensio. It develops in children, not only the opportunity to interact with others (socialization), but also the chance to do better things with others (cooperation). It can be defined as:

  • Intuitive activitiy , induced by  the Observer, through four mediators: activities (direct experience), iconic (drawings), analogical (dramatization) and symbolic (colors and numbers and more, to represent the variables and their relationships);
  • A path through which the Observer builds learning environments in which the children are brought to question rather than waiting canned responses.
  • A uniform language, the same for all, which does not require specific words, easily accessible as it adapted to the children’s cognitive and motor potential.

SELL (Signal, Reading, Execution, Lateralization) is structured in four parts:

The Expressive Analogical System  is a theoretical-practical path for the activation of the circuits of motor learning and cognitive development from children of 4 years old. It’s composed of various educational track  by using the environmental opportunities or the body combined with the wall and the ground, or building games with figures and symbols with a stick combining them with their own body and that of the teammates; or analogies with the animal world, combined with natural colors and their body; or games with simple teaching material (balloons, cards and so on).

The optical and acoustic Symbolic Analogical System for the improvement of basic motor patterns from 8 to 12 yearsold : run, jump, throw, catch. The actions are related to the lateralization and performance oculus-manual and oculus-breech, equilibrium, systems of  acceleration and deceleration of the gravity center as well as the distinct body segments. All this is achieved through symbols, simple elements and specific groups are created in a special way by the system SELL.

The lateralization System, with and without the group. This system was created to facilitate the harmonious development of the growing child’s motor and performance relating to “degrees of freedom”, with particular attention to the problems of the non-dominant body side.
The support system in the development of analogical Expressive, analogical optical and acoustic Symbolic of paper materials and computer equipment to facilitate the learning in the classroom and at home.

The materials consist of:

  • The light and the puppet play.
  • The directional eyes, hypothetical or actually represented on the shirt or on the tip of the shoes.
  • The mental visualization: the mind’s eye.
  • The activity oculus – manual / breech developed with the use of conventional elements (balls, rubber bands and so on) or non-conventional (newspapers, empty bottles and other).

The game of lights and puppets, directional eyes  and mental visualization must be known and internalized by children before beginning the teaching units. Traffic lights and the “game of the puppet.”

During our on field lessons, we have verified that the imitation of children is often inaccurate. With researchers of SELL System  we have tried to solve this problem, looking for solutions suited to the children characteristics.
After several attempts, we arrived at the “Game of the traffic lights.” The choice of this symbol was adopted after being tested that all knew it. We have identified the symbol of traffic lights along with the image of ‘”Vitruvian Man” by Leonardo da Vinci, that we modify using the three light colors, with the aim of relating the different parts of the human body with these colors.
The symbols used, in addition to increasing the attentional focus, has a considerable influence in the development of imagination and, consequently, in the creativity of forms. It allows children to improve the knowledge of the structure of their body, and the teacher, together with the children, to develop new kind of play, improving the stabilization of teaching content.